New PDF release: The Iliad: A Commentary: Volume 4, Books 13-16

By Richard Janko

ISBN-10: 0521237122

ISBN-13: 9780521237123

ISBN-10: 0521281741

ISBN-13: 9780521281744

This, the fourth quantity within the six-volume observation at the Iliad being ready below the overall Editorship of Professor G. S. Kirk, covers Books 13-16, together with the conflict for the Ships, the Deception of Zeus and the demise of Patroklos. 3 introductory essays talk about the position of Homer's gods in his poetry; the origins and improvement of the epic diction; and the transmission of the textual content, from the bard's lips to our personal manuscripts. it really is now well known that the 1st masterpiece of Western literature is an oral poem; Professor Janko's exact remark goals to teach how this attractiveness can make clear many linguistic and textual difficulties, entailing an intensive reassessment of the paintings of Homer's Alexandrian editors. The statement additionally explores the poet's sophisticated creativity in adapting conventional fabrics, no matter if formulae, general scenes, mythology, or imagery, in order most sensible to maneuver, encourage, and entertain his viewers, old and glossy alike. dialogue of the poem's literary traits and constitution is, the place attainable, saved become independent from that of extra technical concerns.

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The Iliad: A Commentary: Volume 4, Books 13-16 by Richard Janko PDF

This, the fourth quantity within the six-volume remark at the Iliad being ready less than the overall Editorship of Professor G. S. Kirk, covers Books 13-16, together with the conflict for the Ships, the Deception of Zeus and the dying of Patroklos. 3 introductory essays speak about the function of Homer's gods in his poetry; the origins and improvement of the epic diction; and the transmission of the textual content, from the bard's lips to our personal manuscripts.

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Extra info for The Iliad: A Commentary: Volume 4, Books 13-16

Example text

C. W. Greece moved into the Peloponnese and C r e t e . g. , by analogy with 6TTI ( < *yod-kwid)\ from 6ia- in £66co$; or the vocalization of w in drrqupa (for •Arr-4-ppa), eOa&c for *Iopa6c etc. 41 - a n . ) . g. Ofjpc; for Gripe? and perhaps irlovpt? ). Other shared Aeolisms are Ipi- for dpi-, pdrv for p^v, Ta for Mia, and the shift of •-pi- to -pe- seen in Neoripfos, 'Eirr6pcos, fjvoplri (for *<5tvopla); indeed the last case, like metrically lengthened /|vcp6cis for *&VCM6CIS, shows that Ionic singers did not always recognize the Aeolic word, and therefore replaced a with r\ (contrast a6dvorro$).

C. W. Greece moved into the Peloponnese and C r e t e . g. , by analogy with 6TTI ( < *yod-kwid)\ from 6ia- in £66co$; or the vocalization of w in drrqupa (for •Arr-4-ppa), eOa&c for *Iopa6c etc. 41 - a n . ) . g. Ofjpc; for Gripe? and perhaps irlovpt? ). Other shared Aeolisms are Ipi- for dpi-, pdrv for p^v, Ta for Mia, and the shift of •-pi- to -pe- seen in Neoripfos, 'Eirr6pcos, fjvoplri (for *<5tvopla); indeed the last case, like metrically lengthened /|vcp6cis for *&VCM6CIS, shows that Ionic singers did not always recognize the Aeolic word, and therefore replaced a with r\ (contrast a6dvorro$).

8* Apparently he first produced a commentary on Aristophanes* text, then a text of his own and then a commentary to go with it; finally his pupils made another text incorporating his last thoughts. All this was still available to Didymus. groups, the 'common*, 'popular*, 'inferior* or 'worse* M S S , and the 'more accurate* or 'more refined* ones. T h e latter class, which Didymus* epitomators often lump together with Aristarchus' own editions under the term Traoat, included texts by his predecessors and by poets back to Antimachus, as well as the undated 'city' texts.

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The Iliad: A Commentary: Volume 4, Books 13-16 by Richard Janko


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